Close-up to demonstrate emotion |
Another point that Bays establishes is that the Point of View editing is key to ''build tension'' and prevent the audience of getting bored. This is actually an important technique to my production since the public will be experiencing everything from the killer's POV.
It's also important to keep the story as simple as possible since suspense will not be acquired if the production requires a lot of memorization. That's why my outline is basically the introduction to the main character, the creation of a problem/suspense, the resolution by killing the house owners.
Step 12 is the essence of my film. "Surprise and Twist''. Bays writes ''lead them [the audience] in one direction and then pull the rug out from under them in a surprise twist''. So once again, if performed well, the audience will think at the beginning that my killer is actually the homeowner when at the end it will be revealed that he is not.
Finally, I started my storyboard today and I finished all the scenes from Act I; hopefully, I will finish Act II and Act III this weekend.
Alfred Hitchcock (1899 - 1980) |
Sources:
"Camera shot work." Media A2. N.p., 30 Dec. 2015. Web. 16 Mar. 2017.
"Alfred hitchcock presents,Alfred Hitchcock presents quotes." Funny gifs. N.p., 12 Apr. 2014. Web. 16 Mar. 2017.
Bays, Jeff. "Film Techniques of Alfred Hitchcock - suspense, camera angles, style, editing, basics." Film Techniques of Alfred Hitchcock - suspense, camera angles, style, editing, basics. N.p., n.d. Web. 16 Mar. 2017.
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